{"id":7062,"date":"2017-07-18T21:29:33","date_gmt":"2017-07-18T21:29:33","guid":{"rendered":"https:\/\/www.viewfoo.com\/?p=7062"},"modified":"2018-12-20T17:22:01","modified_gmt":"2018-12-21T00:22:01","slug":"ansel-adams-was-a-straight-shooter","status":"publish","type":"post","link":"https:\/\/www.viewfoo.com\/ansel-adams-was-a-straight-shooter\/","title":{"rendered":"Ansel Adams was a \u201cStraight Shooter\u201d"},"content":{"rendered":"

If you\u2019ve seen a picture of the Great American Wilderness, chances are it was a piece by Ansel Adams. The man is almost a myth; he is a symbol of the American West, a folk legend, and arguably the man who made photography popular in the United States. He completely altered the techniques of photography at the time, moving away from pictures that tried to look like paintings and towards ones that embraced the directness and clarity found in a photograph. But that is not to say simple, his photographic techniques quite literally pulled additionally depth and complexities out of what was black and white.\u00a0 He, himself, was rather like his photography\u2014outwardly straightforward, honest, and simple with all the inward intensity that usually accompanies genius.\u00a0 Yet, perhaps his most lasting influence was how he inspired the world to see the beauty and power in wilderness, and to believe wilderness was worth preserving.<\/p>\n

Adams\u2019s Style<\/h3>\n

For the most part, Ansel Adams is most famous for his dramatic vistas\u2014pictures that make a man feel small compared to the sheer vastness of world around us. Gorgeous images of mountain landscapes, cascading falls, or a solitary moon in a vast sky overlooking an isolated gravesite and mountainous ridges.\u00a0 But equally as important (though perhaps less well known) are his intimate photographs of nature.\u00a0 These up-close-and-personal photographs of nature perhaps best encapsulate the important message his direct, precise, and finely detailed style is trying to impart. That a good photographer can inspire with an image that captures the actual experience of nature.\u00a0 That form and texture, experienced through light and shadow, can organically become something almost abstract from something so realistic.<\/p>\n

This was a huge departure from the dominant styles at the time.\u00a0 The general attitude was that photography could not be as much of an art as painting, engraving, or sketching because a machine was perceived as doing most of the work\u2014not a human. So many photographers engaged in a \u201cpictorial\u201d style designed to make photographs look as much like paintings or artwork as possible. Ansel Adams, instead, went as far the other direction as possible and delved deeply into embracing the specificity a photograph could deliver in what was deemed \u201cstraight\u201d photography.\u00a0 There was no effort to hide the clarity of the machine, and while there was much work performed in the darkroom, it was not intended to make the photo look manipulated, but rather highlight the symbolic power of the image.\u00a0 But whatever you do, do not mistake \u201cstraight\u201d photography for \u201crealism.\u201d\u00a0 Adams did not intend to capture the most realistic pine cone or mountain\u2014he intended to capture the most real feeling of experiencing the pinecone or the mountain. An external truth, such as the perfect look of a concrete object, was not as important to him as the internal truth, or the experience of that object.<\/p>\n

Adams, the \u201cZone System,\u201d and Group f\/64<\/h3>\n

Ansel Adams found the harmony between man and nature, and between art and science.\u00a0 He developed a scientific system dubbed the \u201cZone System\u201d that enabled photographers to pre-visualize the image they want then both take the picture (controlling exposure) and develop the picture (using a variety of techniques including burning and dodging) in a way that would ultimately match their vision. Using his zone system, Ansel Adams could pull a wider tonal range out of black and white, meaning he could develop the whitest whites and the darkest blacks and everything in between in his photographs giving them more depth and complexity in straight photography.<\/p>\n

Adams was not alone in his vision of photography; he, along with Imogen Cunningham, Willard VanDyke, and Edward Weston, formed Group f\/64.\u00a0 The name was based on the smallest lens opening on the camera, which created photographs with the greatest clarity at all depths if you had time, patience, and a still subject.\u00a0 The group was relatively short-lived, but many of the members would go on to become the most influential 20th-century photographers, and it brought the concept of \u201cstraight\u201d photography to the national forefront.<\/p>\n

Ansel Adams and the Environmental Movement<\/h3>\n

Many photographers believed there should be a social impact from their work, however, not as many saw wilderness preservation as a social cause, but rather saw Adams\u2019s love of nature as na\u00efve.\u00a0 Perhaps Ansel Adams was simply influenced by his early experience of the Yosemite Sierra. After all, his work with the Sierra Club as their custodian and then ultimately Club photographer contributed significantly to his early success as a photographer.\u00a0 Or perhaps he was ahead of his time in understanding how important our environments would become to us.\u00a0 Regardless, his photos have been used to lobby for a national park in the Sierra Nevada, he was awarded the Conservation Service Award in 1968 and the Presidential Medal of Freedom in 1980.\u00a0 Personally, he fought for the Wilderness Act, for new national parks, the Big Sur, the Redwoods, and others. Professionally, however, his works would inspire environmental movements for generations to come with the emotion, clarity, mystique, and depth his photographs would capture. He could put to paper what it felt like to realize the world was so much bigger than you and he could remind individuals why it was so important to protect that experience for all humans.<\/p>\n

What Adams taught Future Generations<\/h3>\n

His public service wasn\u2019t solely focused on the environment, he also worked hard as a lecturer and writer to share his photographic studies and experience for the future. He wrote at least ten books on his Zone System for professionals and amateurs alike.\u00a0 He was well known for the quality and clarity of his instruction in his later years.\u00a0 He worked as a course instructor at the Museum of Modern Art in New York, founded the first department of photography in San Francisco, and was instrumental in the creation of a museum at the University of Arizona in Tucson for creative photography.<\/p>\n

Adams himself had a wife, was the life of the party with his friends, worried throughout his life about financial obligations\u2014rather straightforward concerns. He was a man who loved nature and loved to create, and spent his life doing just that. And yet, he\u2019s also a man who rewrote the dialogue on artistic photography, who brought to light the beauty of the wilderness of the American West, and who has a mountain peak named after him.\u00a0 Whether he\u2019s a man or legend, he certainly changed American photography for the 20th century.<\/p>\n

 <\/p>\n

\"\"

The Tetons and the Snake River (1942)
Created: 31 December 1941
Location: 43\u00b0 47\u2032 60\u2033 N, 110\u00b0 31\u2032 12\u2033 W<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

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